Features
iPad Adults, Sabyasachi, and Solo Dates: Why Do We Care About Going Out Alone?
Cinecism: On Splitsville, The Threesome and Hetero-Optimism for the Cynical Soul?
A Close Reading of Female Friendships in White Chicks
Five Films to Watch to Accompany the BFI’s Black Debutantes Film Season from the Curator
Culture Slut: The Alternative Casting Multiverse & Cult Characters that were Almost Played By Someone Else
Culture Slut: On Derek Jarman, Klaus Nomi and AIDS On Screen
Non Threatening Boys*: Action Movies are for Lover Girls
The Sensualist: Kennady Schneider on Training Mikey Madison for Anora, Migration Stories and the Banality of Sex Work
Ashley Smith on Magic: The Gathering, Indie Sleaze and Independent Movie Making
The Cougar Complex - On Halina Reijn’s Babygirl, MILFs and Power Imbalances
Culture Slut: Alien, Aliens and the Legacy of Lieutenant Ripley
Film Fatale: Threads (1984) and the Kitchen Sink Apocalypse
Why Are We All Obsessed with Our Bosses?
Film Fatale: Solaris, World on a Wire, and the Allure of Vintage Science Fiction
Melissa Barrera on Ballet Horror Abigail, Her Love for Ireland, and Speaking Out for What You Believe In
Culture Slut: Why Gloria Swanson is the Ultimate Gay Icon, Part 2
Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
Yearning, Gazing, and Scissoring: The Politics of the Sad Sapphic Period Drama
In Poor Things, Holly Waddington’s Costume Designs Signal Sexual Liberation
