Features
Akini Jing is the Cyborg Musician Combining Techno with Chinese Orchestra
In Poor Things, Holly Waddington’s Costume Designs Signal Sexual Liberation
Charlotte Lawrence on Nepotism, Songwriting and Turning a Passion into a Job
Love, Longing and Communion: Weyes Blood’s Year of Radical Acceptance
Peach PRC on Overnight Fame, Confessional Songwriting and Coming Out on TikTok
Becoming Gena Marvin: Queendom is Navigating Leaving Behind Russia’s Illegal Drag Scene
Liana Liberato on True Crime, Scream VI and ‘Based on a True Story’
Merry Lamb Lamb on Vulnerability in Music, Exodus and Utopian Visuals
Hackney’s Finest: Eliza Rose, Jeanie Crystal, and Rhiannon Barry are the Creative Team Prioritising Working Class Visibility
Trisha Paytas on OnlyFans, Free Will and Her ‘Mother’ Era
TISSUE PAPERS is the Anthology Spotlighting the Fun, Contradictory Side of the Trans Experience
Super Libra Energy: Revenge Wife On Unexpected Inspirations And The State Of The Music Industry
Love Underground is Reclaiming the Tube for LGBTQ People
“I'm not frothing at the mouth, desperately horny for The Telegraph to review the book” - Alison Rumfitt on Brainwyrms, Institutionalised Transphobia and Internet Communities
Georgie Henley on Partygate, Innate Creativity and Navigating the Industry
Rebecca Morgan is Making Artwork Dedicated to the Ugly and Grotesque
Drew Afualo on Unpacking Internalised Misogyny, Being Overprotective and Cleaning Up the Streets of Sexist Men
Shirin Neshat on Female Imprisonment, Generational PTSD and Seduction for Survival
Ginni’s Guide to Turning an Artistic Passion Into a Career
