Features
Fragrantica, Unhinged Reviews and The Joy of Niche Internet Spaces
Akini Jing is the Cyborg Musician Combining Techno with Chinese Orchestra
Lena Dunham’s Girls and the Longevity of Unglamourising Mental Illness
Plain White Music Videos: 2024 Boasts the Return of an Industry Favourite
Eternal Sunshine of the Spotless Mind at 20 and Our Obsession with Making Ourselves Sadder
Culture Slut: The Best Parties in Cinematic History
Female Adolescence, Isolation and Hauntings in the Work of Francesca Woodman
In Poor Things, Holly Waddington’s Costume Designs Signal Sexual Liberation
Hopecore: The Internetification of Existentialism
Party Dresses or Pyjamas? Sartorial Choices in Film’s Depictions of Christmas Day
Love Bite: 2023 was the Year British Food and British Fashion Collided
Beauty Archivist: The Art of Christmas Makeovers
Culture Slut: The Passing of Time and Being Too Much For Instagram
An Analysis of 2023’s TikTok White Boys of the Month
Charlotte Lawrence on Nepotism, Songwriting and Turning a Passion into a Job
What's Lurking Behind the ‘Slavic Bimbo’ Aesthetic?
Love, Longing and Communion: Weyes Blood’s Year of Radical Acceptance
Peach PRC on Overnight Fame, Confessional Songwriting and Coming Out on TikTok
Becoming Gena Marvin: Queendom is Navigating Leaving Behind Russia’s Illegal Drag Scene