Features
Morgan Parker on Past Selves, Moving Home, and Teen Movie Cliches
Don’t Call It a Comeback: Notes on the Lohanaissance
Gunter, Whimsigoth and How Portraying Historical Witches as Empowered May Be Harmful
Love Bite: The Endless Joy of Cocktail Season
Ctrl+Shift Feminism: On Cyberfemme Folklore & TikTok’s Rebrand of Late Capitalism
How the Pervasiveness of Surveillance is Reflected in Art, Our Society and Ourselves
Narcissus Online: The Echo-Chamber of Endless Reflection
Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
Fags, Slags, and Ladettes: Classed Femininity in the Art of Sarah Lucas
Film Fatale: Celluloid Sisters, Theological Final Girls and the Year of the Nun
Detailing Yuko Tatsushima’s Canvas: The Artist Behind the Inspiration for the Internet’s Scariest Creepypastas
Intimacy Through The Looking Glass: How the Internet Changed Our Experience of Relationships
‘Unaesthetic, Unsexy Products’ Could Be the Final Straw of Late-Stage Capitalism
Dreamgirl Chapter 4: “I don’t think she remotely feels she’s done all the things she wants to do.”
Is RuPaul’s Drag Race the Opiate of the Masses?
Culture Slut: Why Gloria Swanson isthe Ultimate Gay Icon, Part One
Desperate Housewives at 20 and the Reimagining of Suburbia
How Girly Intellectualism Took Over Fashion
“They eat the rich, don’t they?”: Will FoodTok Spark a Modern Revolution?
