Features
The Bumble Fumble Shows How Dating Apps Misunderstand Their Users
Culture Slut: Why Gloria Swanson is the Ultimate Gay Icon, Part 2
‘Sylvia Plath Didn’t Die for This” - The Internet is Misconstruing History’s Favourite Tortured Poet
Dreamgirl Chapter 5: “I can’t say whose exorcism is greater”
Film Fatale: Small Towns, Stephen King and Cinematic Grief
Barf Bags and Banana Stickers: Collecting Rubbish as a Subversive Act
Swan Song: On Lana Del Rey, Los Angeles, and The End of the World
Pro-Palestine Protests Through the Lens of Audre Lorde’s ‘The Uses of Anger’
Guillotine Them All: The Violence & Context of Internet Slang
Autofiction and Emotional Capitalism: The Tortured Poets Department and I Love Dick
Morgan Parker on Past Selves, Moving Home, and Teen Movie Cliches
Don’t Call It a Comeback: Notes on the Lohanaissance
Gunter, Whimsigoth and How Portraying Historical Witches as Empowered May Be Harmful
Love Bite: The Endless Joy of Cocktail Season
Ctrl+Shift Feminism: On Cyberfemme Folklore & TikTok’s Rebrand of Late Capitalism
How the Pervasiveness of Surveillance is Reflected in Art, Our Society and Ourselves
Narcissus Online: The Echo-Chamber of Endless Reflection
Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
Fags, Slags, and Ladettes: Classed Femininity in the Art of Sarah Lucas
