Features
Morgan Parker on Past Selves, Moving Home, and Teen Movie Cliches
Don’t Call It a Comeback: Notes on the Lohanaissance
Gunter, Whimsigoth and How Portraying Historical Witches as Empowered May Be Harmful
Love Bite: The Endless Joy of Cocktail Season
Ctrl+Shift Feminism: On Cyberfemme Folklore & TikTok’s Rebrand of Late Capitalism
How the Pervasiveness of Surveillance is Reflected in Art, Our Society and Ourselves
Video Exclusive: Poetry by Campbell King
Narcissus Online: The Echo-Chamber of Endless Reflection
Sukeban Girls: This Series Reinterprets 1970s Japanese Schoolgirl Gangs in New York City
Loving the World: Alvina Chamberland in conversation with Eliot Duncan
Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
Fags, Slags, and Ladettes: Classed Femininity in the Art of Sarah Lucas
Film Fatale: Celluloid Sisters, Theological Final Girls and the Year of the Nun
Detailing Yuko Tatsushima’s Canvas: The Artist Behind the Inspiration for the Internet’s Scariest Creepypastas
Intimacy Through The Looking Glass: How the Internet Changed Our Experience of Relationships
New York, 5am is the Editorial Celebrating the Foreigner’s Perspective of the Big Apple
‘Unaesthetic, Unsexy Products’ Could Be the Final Straw of Late-Stage Capitalism
Dreamgirl Chapter 4: “I don’t think she remotely feels she’s done all the things she wants to do.”
Is RuPaul’s Drag Race the Opiate of the Masses?
