Features
Erin LeCount on Stubborn Songs, Downward Spirals and Writing For Her Younger Self
John Cameron Mitchell on Why Hedwig And The Angry Inch Still Resonates 25 Years Later
Sparklmami on Finding Her Voice, Character-Work as a Means of Self-Discovery, and Musical Worldbuilding
Momo Yamaguchi on ‘Hello, Limerence’, Germaphobes and the Importance of Delusional Crushes in a World Full of Shit
Anoushka Mondraty on Girly Art, Maximalist Tendencies, and Sailor Moon
Mattea Conforti on Teenage Rage, On Set Friendships and Normalising Strong Emotions for Girls
Hannah Einbinder on Genre Swapping, Socialism and the Importance of Collaboration
The Female Artists Turning Internet Slop into Fine Art
Caroline Wong on ‘Girls Who Devour’, Women Eating in the Age of GLP-1s and #Girlhood
The Navelgazer: Sitting with Sculptor CARO to Talk Bodies, Machines, and Everything In-between.
Yasmin Pettet on Fashion, Ryan Murphy, and Being the Weird Girl on ‘Love Island’
MARO on “So Much Has Changed,” Being In a Band with Your Besties, and Playing a Hometown Show
Romaisa Baddar on Middle East Archive: Women النساء, Embracing Multiple Aesthetics and Shifting Focus
Samara Weaving on Being Emo, Pregnancy and Returning for the Sequel
A Look Inside Haut Corporation, One of London’s Best Stockists of Rare, Covetable Vintage
Iona Bielby on Interviewing as an Art Form and Her New Social Series for Polyester
Pamela Des Barres on the Spirit of Sexuality, ‘‘I’m With The Band’ and Fighting Conservatism
Thora Birch on The Chronology of Water, Eschewing Competitiveness and Playing Cult Characters
Adele Bertei on Kathleen Hanna, Female Commodification and the Women of No Wave
