Features
Wasians and the Limits of Representation: Notes from a Blasian in Japan
The Little Pink Book - Vol 2: ThePolyester Book of Bad Taste Launch
The Second-Wave of Girl Boss Feminism Still Won’t Save Us
Las Brujas is the Editorial Reclaiming the Witch as a Figure of Radical Imagination
The Polyester Guide to City Festivals
Roses are Pink, Hydrangeas are Blue
Behind the Scenes of ‘Young Female Playwright’ at Toronto International Film Festival
Nia Archives on Emotional Junglism, Tall Poppy Syndrome and Being Shy
Erin LeCount on Stubborn Songs, Downward Spirals and Writing For Her Younger Self
John Cameron Mitchell on Why Hedwig And The Angry Inch Still Resonates 25 Years Later
Sparklmami on Finding Her Voice, Character-Work as a Means of Self-Discovery, and Musical Worldbuilding
The Girls In Film’s Guide to Applying to Film Funds
An Ode to the Teaches of Peaches - How Modern Pop Music Is Influenced by the Queer Innovator
Momo Yamaguchi on ‘Hello, Limerence’, Germaphobes and the Importance of Delusional Crushes in a World Full of Shit
Maraschino’s June 2026 Horoscope
Taylor Tookes’ Guide to Breaking Fashion Rules
Finding Empathy on Bravo: What The Real Housewives of Salt Lake City Taught Me About Being Human
Culture Slut: An Ode to Shirley Bassey
Exclusive Excerpt from misery meals, a Crip Cookbook and Lifeline
